Diego Rivera – Detroit Mural

  Inset Diego Rivera Detroit Industry (1932–1933) North wall fresco, lower panel 5.398 m × 13.716 m. Detroit Institute of Arts, Detroit, USA. Mike McKiernan This massive mural >22 feet high and 73 feet wide is bursting with life, energy and power. It depicts engine and transmission production for the 1932 Ford V8 at the Ford River …

Richard Serra – Art Installations

I am posting two installations by the San Francisco installation artist Richard Serra. The first is a neon installation that accompanies a row of horse tacks. This image suggests the domination of the natural over technology and is calming in its repetition of natural forms. The second installation reflects Serra's traditional large scale work, however …

Czeslaw Milosz – The Angels – Polish Production

The video for the line spoken by Czeslaw Milosz. Production completed with the participation of students in the art school under the supervision of Monica Opole Nowojskiej. Content of the poem: Czeslaw Milosz - The Angels You deducted white robes, Wings and even the existence, However, I believe you, Messengers. Where on the left side …

Gary Synder – A Curse

Volcano Woman - Wayne Young - Northwest Coast (Nisga’a / Haida) acrylic on paper 30" x 23" 2005 ----------------------------------------- He Who Hunted Birds in His Father's Village The Dimensions of a Haida Myth Gary Synder The Curse From the Foreward: "A curse on monocultural industrial civilization and its almost deified economic and political systems that compete, exploit, an …

David Ferry’s Beautiful Theft – Dan Chiasson

Poetry is innately related to theft. The lyre was invented, the Greeks tell us, by Hermes, who then gave the instrument to Apollo as compensation for stealing cattle. One reason people’s aversion to poetry sometimes passes over into strong annoyance, or even resentment, is that poems steal our very language out from under us and …

Sensing a Path

If genius is profuse, never ending - stuck in the middle of a work is - the wrong track, Genius is the track seen. Once seen it is impossible to keep from it. The superficial definitions, such as "genius is industry, genius is hard work, etc. " are nonsense. It is to see the track, …

The Dead and the Living

  The dead surround the living. The living are the core of the dead. In this core are the dimensions of time and space. What surrounds the core is timelessness. from  Hold Everything Dear - John Berger

Bolivia Enshrines Natural World’s Rights With Equal Status for Mother Earth

photo:  Esto es Bolivia Bolivia enshrines natural world's rights with equal status for Mother Earth Law of Mother Earth expected to prompt radical new conservation and social measures in South American nation John Vidal in La Paz ,The Guardian, Sunday 10 April 2011 13.17 EDT Bolivia is set to pass the world's first laws granting all …

Louise Erdrich

Louise is a very powerful woman, speaker and individual. In twenty minutes she is able to frame a profile of the Native American expereince.

Czeslaw Milosz – Biography – The Wilno Poet Under California Skies

Czeslaw Milosz - The Wilno Poet Under California Skies November 2012 It is not an anomaly to be transformed by the breadth and scope of the Northern California landscape. To stand on a mountain and look over the rocky shore and the expanse of the blue Pacific is a powerful sensation. While one's awe eventually …

THE VEXING SIMPLICITY OF NEIL YOUNG – Alec Wilkinson

OCTOBER 17, 2012 THE VEXING SIMPLICITY OF NEIL YOUNG POSTED BY ALEC WILKINSON I was a little surprised when Neil Young published his memoir, “Waging Heavy Peace,” because he is the only artist I have ever encountered who is proud of not reading. Reading would distract him from writing songs, he once told me, meaning interfere …

Ludwig Wittgenstein’s Passion For Looking, Not Thinking

The following article shows the west meeting the east, particularly Jung and Frued meeting zen. Although the article does not mention Jung and especially Hillman they both demonstrated thoughout their writings that the image was dominant in our minds when it came to thinking, before the word. It is interesting that the internet is following …

Richard Avedon

  "You can't get at the thing itself, the real nature of the sitter, by stripping away the surface. The surface is all you've got. You can only get beyond the surface by working with the surfce. All you can do is to manipulate the surface—gesture, costume, expression—radically and correctly. And I think Schiele understood …