It is not a surprise that literature aids all countries in showing a human face in the midst of hard-edge politics and ideology.This piece is from The New York Times. Follwing the NYT piece is aninterview with Putin and Tolstoy concerning the culture policy document.
CreditJames Hill for The New York Times
By RACHEL DONADIO, MARCH 20, 2015
YASNAYA POLYANA, Russia — On a sunny winter afternoon here, Vladimir Tolstoy, a great-great-grandson of Leo Tolstoy and an adviser on cultural affairs to President Vladimir V. Putin, strode up the birch-lined path that leads to the bucolic family compound where his forebear wrote “War and Peace” and “Anna Karenina.” It is now a state museum. At each step, he was greeted by staff members heading home for the day.
“Good evening,” Mr. Tolstoy said with a warm smile. “Good evening,” the museum employees, mostly women, responded. “Please send our best regards to our czar and tell him we respect him very much,” one woman told Mr. Tolstoy, who nodded cheerfully.
At once friendly and feudal, the scene at this estate some 125 miles south of Moscow captured something of the mood in Russia today, where Mr. Putin is regarded as a czar, especially outside the big cities, even as the liberal intelligentsia reviles him and laments his popularity. It also reflects the benefits for Mr. Putin of enlisting the support of a member of an illustrious family as he continues to strike notes of national pride.
Since being tapped by Mr. Putin in 2012, Mr. Tolstoy, 52, has emerged as the more conciliatory, highbrow and Western-friendly face of Kremlin cultural policy. He works with, but is temperamentally different from, Russia’s more combative culture minister, Vladimir Medinsky, who is known for aggressive assertions of Russian superiority and conservative values.
Mr. Tolstoy said he had worked to remove language from a ministry policy draft that was leaked last year stating that “Russia is not Europe.” But, like most Russians, Mr. Tolstoy is full-throated in his support of Russia’s invasion and annexation of Crimea, a territory that many Russians believe should not have been ceded to Ukraine by Khrushchev in 1954.
“Leo Tolstoy was a Russian officer who defended Russia in the Fourth Bastion in Sevastopol,” he said, speaking through a translator over tea in a cafe near the museum. “For us, in our mind, this has always been Russia.”
He was referring to the siege of Sevastopol in 1854-55 in the Crimean War, in which Russia fought the allied forces of France, Britain, Sardinia and the Ottoman Empire and ultimately lost control of the city. “Of course, as a descendant of the Russian officer Leo Tolstoy, I cannot have any other attitude toward that,” he added.
Mr. Tolstoy was raised in a middle-class family in the Moscow region and trained as a journalist. In 1994, he was named director of Yasnaya Polyana, which is centered on the house where the novelist wrote and has been preserved as it was at the time of his death, in 1910. There are also a working farm and orchards, and Tolstoy’s grave is in a wooded glen that the writer associated with his beloved older brother, who died young.
Mr. Tolstoy improved the quality and range of activities at the museum, adding lectures, a literary prize and Russian-language classes. His wife, Ekaterina Tolstaya, took over as director after he became an adviser to Mr. Putin.
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Mr. Tolstoy said that Mr. Putin had offered him the post after a meeting of museum directors in April 2012 at which Mr. Tolstoy criticized the government’s cultural strategy and the president’s advisory council for culture as ineffective. “When the meeting was over, the president asked me to stay for a bit and asked if I was so critical, could I do this job better?” Mr. Tolstoy said. Now, he briefs Mr. Putin on cultural issues and acts a bridge between Russia’s cultural world and the Kremlin.
On a recent afternoon, he was fielding calls from Irkutsk, Siberia, for help with funeral arrangements for the writer Valentin Rasputin, who died last week at 77 and had expressed a preference to be buried in Irkutsk, his birthplace. Mr. Tolstoy said he regarded Mr. Rasputin as the best writer of the past half-century. He was known for his vivid portrayals of the environmental devastation caused by industrialization in rural Russia and also for his conservatism: He called for prosecuting the punk activist group Pussy Riot after its provocative performance in a Moscow church and inveighed against perestroika, the liberalization initiated under Mikhail S. Gorbachev before the Soviet Union disintegrated.
Not long ago, the sense that Russia had somehow lost its way after the fall of the Soviet Union was pervasive here, but Mr. Tolstoy and other Putin loyalists have succeeded in reviving a sense of national pride expressly through cultural policy.
Guided by Mr. Tolstoy, a committee of leading cultural figures and state officials ultimately produced an 18-page policy document that defines culture broadly, saying it is as valuable to Russia as its natural resources. It also touches on moral precepts, the importance of religion in shaping values and the place of the Russian language in uniting a country of more than 140 million people and diverse ethnicities. The document also highlights Russia’s distinctiveness “as a country which unites two worlds, East and West.”
Some cultural figures have criticized the document for not addressing the pervasive influence of Russian state television, which operates as a mouthpiece for the Kremlin. Many didn’t pay it much attention. “It’s abstract, like a biblical text,” said Kirill Razlogov, a prominent film historian.
Far more concrete is the impact of laws that ban obscene words in the theater, films and public performances and that criminalize giving offense to religious believers, both of which were passed after Pussy Riot’s members were jailed in 2012.
While Mr. Tolstoy may agree with the general direction, his approach is more tolerant. “I believe everything has a right to exist unless it’s a provocation,” he said. “I think art shouldn’t be offensive.” As for Pussy Riot, he said: “I don’t support them, but on the other hand I also believe the reaction was inappropriate. An artist shouldn’t be punished in court.”
He described himself as a moderate who could “find balance” between traditionalists and liberals looking Westward. “On the one hand, Russia is open for cooperation,” he said. “And on the other hand, we have our own perspective on good and evil.”
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Mr. Tolstoy seems to be generally respected by the intelligentsia. Victor Erofeyev, a writer who has been critical of Mr. Putin, said he thought Mr. Tolstoy was “a smart guy” who also reflects a growing tendency since Mr. Putin’s re-election in 2012 to see Russia as somehow purer than the West.
“They really believe in it,” Mr. Erofeyev said. “It’s not like during Communist times under Brezhnev” when “people say, ‘I love Communism,’ but we never believe in it. Here they play with a notion of Russia in a more delicate way. They say, ‘You know, Russia is still is a country of big culture, it’s a country of big human relationships, friendship, love affairs and so on, and that’s why we are more interesting than the West.’ ”
Back at the cafe, Mr. Tolstoy grew animated in talking about Russian pride. “Today’s Russia cannot be forced to do what it doesn’t want to,” he said. “It’s impossible to achieve either by sanctions, or even by an overt attack. Russia respects itself, and it wants only justice, nothing else.”
On that wintry afternoon, dozens of visitors flocked to Yasnaya Polyana. There was snow on the ground and gray ice on the pond, and the birch trees caught the afternoon light. The spirit of the novelist’s former home “is love,” Mr. Tolstoy reflected.
In Tolstoy’s novels, “there are no characters who are complete villains,” his great-great-grandson said. “All of his characters are real people.”
Correction: March 21, 2015
An earlier version of this article misstated the given name of a Russian writer who died last week. He is Valentin Rasputin, not Vladimir.
Working meeting with Presidential Adviser Vladimir Tolstoy
April 23, 2014, 15:45 The Kremlin, Moscow
photo: The Presidential Press and Information Office.
Mr Tolstoy presented to Vladimir Putin the draft Basic Principles of State Culture Policy.
PRESIDENT OF RUSSIA VLADIMIR PUTIN: Mr Tolstoy, is the concept document for developing the culture sector ready now?
PRESIDENTIAL ADVISER VLADIMIR TOLSTOY: Yes. Above all, thank you for entrusting us with its drafting. The result is an unprecedented and very interesting piece of work.
VLADIMIR PUTIN: As far as I know, it has aroused a lot of debate.
VLADIMIR TOLSTOY: Yes, it is the subject of active public debate right now, though what is being discussed is not the document itself, but the preliminary materials that made their way via various sources to the press and have indeed sparked a huge public discussion. This shows that the time is indeed ripe to address the various issues in the culture sector, and that the public wants a serious debate at the national level on this matter.
A working group headed by [Chief of Staff of the Presidential Executive Office] Sergei Ivanov was established. We held two meetings, which produced the Basic Principles of State Culture Policy. The draft document, if approved, will then be presented for broad public discussion at various forums such as the Public Council, the State Duma, the Federation Council and youth forums, and the results of these discussions will then be taken into account in drawing up the final text. We will be ready to ask you to approve the Basic Principles of State Culture Policy in autumn, perhaps with its presentation for joint discussion by the Presidential Council for Culture and the State Council, as it is also extremely important to take regional aspects into account too, since the next stage of the work will involve these finer points. This is a national-level document and naturally it outlines the general framework.
VLADIMIR PUTIN: What are the main points, as you see them?
VLADIMIR TOLSTOY: I think the most important point is that we need to see culture in much broader terms than just the sector covered by the Culture Ministry: theatres, archives and libraries. Culture is a basic concept, a fundamental part of a person’s identity and the foundation of the national character and even of the state. It includes moral values, broader public education, youth policy issues, and the kinds of cities and villages we live in. We have tried to take an all-encompassing approach to culture. We realise at the same time that managing this process requires a special approach, and this will all be the subject of further discussion.
Culture has a particularly important historical role to play at this moment in our country’s life when we face a complicated foreign policy situation and special circumstances at home. Culture should play a consolidating and unifying role in this situation. Appeals – what I would call inflammatory appeals – that would lead to isolation are very dangerous in this context. We cannot allow internal divisions to emerge. We have a common cultural space, and we have talented people, who perhaps do not all share the same points of view, but it is important that the Basic Principles of State Culture Policy should unify the nation. This is what the document aims to do.
As far as foreign policy goes, you have probably heard from Valery Gergiev, Vladimir Spivakov and many of our other cultural figures about how many provocations take place before their concerts in the West, but how when the concerts are over, audiences of thousands of people give them standing ovations. This is exactly the kind of soft power that should be one of the state’s biggest priorities today, and this is the role that our national culture can play. This will send an important signal to our country and the world that Russia is a nation famed for its great culture and will continue to look for and encourage new talent, especially creative talent.
It is very important for us to keep producing talented composers, writers and directors. This requires a state support system. Talented people develop in their own right of course, but if we do not notice them in time and give them the support they need, we could be losing a national genius who would bring the country fame.
It is very important to educate viewers and readers. People are reading less these days, but Russian literature is a foundation for our moral qualities. We need not just talented performers but also talented listeners and viewers, who know and love music, theatre and film. Perhaps only one in 10,000 people accepted to arts schools will go on to become a real creator, but the other 9,999 people will be talented viewers and will fill up our concert halls.
We have just shown the whole world that we know how to build magnificent, outstanding sports facilities. We have shown that we know how to nurture and develop exceptional athletes who become Olympic champions. I think it is important that the world also see our ability to build equally magnificent theatres. This is already happening. We have the Mariinsky Theatre and the Bolshoi Theatre, theatres in Astrakhan and other cities. It is important that other regions should also become home to strong cultural venues of this kind. We can show the whole world that the flow of creative talent in Russia will never dry up and will always delight the world with new works.
I think the document reflects all of this. At least, it contains the premises that could help our country’s culture to flourish.
VLADIMIR PUTIN: I agree with you that culture is our main, unifying national substance. What is important is not people’s official ethnic identities, but how they perceive themselves, who they consider themselves to be, which basic cultural principles were instilled in them from childhood, what kind of environment they were raised in, and what moral and ethical references they follow.
In this sense it is very important to create a common cultural space. I expect that this is the document’s basic aim, but we also need to put in place good conditions for developing cultural institutions and ensuring timely financing for priority areas. This is very important for developing culture as a sector. I hope the document will cover these matters too.
VLADIMIR TOLSTOY: Yes, of course. The document is also concerned with the importance of the information space and the content of television programmes and the Internet. Young people spend more and more time on the Internet today, and what they find there is very important. This is also the concern of culture policy.
We hope very much that these principles will be supported. This is a long-term programme, of course. You are right to note that it addresses primarily children and young people. We can expect to see some substantial results. Some say it will take a generation – 20-25 years – to really get results, but I am not convinced. I think that we could start seeing the first tangible results within 5-6 years or 10-12 years.
VLADIMIR PUTIN: Let’s take a more detailed look. As I said, this is the main component and main substance for our self-perception and sense of identity as a nation. This is why it is so important that the document be balanced, and I hope it will be. Let’s take a closer look at it now.
April 23, 2014, 15:45The Kremlin, Moscow